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“Giving Voice to Spectralism in the Music of Donnacha Dennehy,” in Oxford Handbook to Spectral and Post-Spectral Music, ed. Amy Bauer, Liam Cagney, and Will Mason (Oxford: Oxford University Press, 2022).
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“Hearing Rihm hearing Brahms: Symphonie ‘Nähe fern’ and the Future of Nostalgia,” in Rethinking Brahms, ed. Nicole Grimes and Reuben Phillips (Oxford: Oxford University Press, 2022, in press).
“Formal Innovation and Virtuosity in Clara Schumann’s Piano Trio in G minor, Op. 17,” Clara Schumann Studies, ed. Joe Davies(Cambridge: Cambridge University Press, 2021), 141–66.
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“‘Ueber Religionsverschiedenheiten’: The Role of Religious Difference in the Music Criticism of Eduard Hanslick,” in Eduard Hanslick im Kontext, ed. Alexander Wilfing and Christoph Landerer (Vienna: Holitzer Verlag, 2020), 193–204.
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“Philosophy,” in Johannes Brahms in Context, ed. Katy Hamilton and Natasha Loges, Music in Context Series (Cambridge: Cambridge University Press, 2019), 277–85.
“The Sense of an Ending: Adorno, Brahms, and Music’s Return to the Land of Childhood,” Irish Musical Analysis (Irish Musical Studies, Vol. 11), ed. Gareth Cox and Julian Horton (Dublin: Four Courts Press, 2014), 104–24.
“German Liberalism, Nationalism, and Humanism in Hanslick’s Writings on Brahms,” in Nicole Grimes, Siobhán Donovan, and Wolfgang Marx, eds, Rethinking Hanslick: Music, Formalism, and Expression (Rochester: University of Rochester Press, 2013), 160–84.
“Chronology” and “Introduction,” in Nicole Grimes, Siobhán Donovan, and Wolfgang Marx, eds, Rethinking Hanslick: Music, Formalism, and Expression (Rochester: University of Rochester Press, 2013), xii–xiv, and 1–11 respectively
“‘Wordless Judaism, Like the Songs of Mendelssohn’? Hanslick, Mendelssohn and Cultural Politics in Late Nineteenth-Century Vienna,” in Nicole Grimes and Angela R. Mace, eds, Mendelssohn Perspectives (Aldershot: Ashgate, 2012), 49–62.
“Introduction” (with Angela R. Mace), in Nicole Grimes and Angela R. Mace, eds, Mendelssohn Perspectives (Aldershot: Ashgate, 2012), 1–6.
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