Chapters

“Traditional Irish Music and Culture and The Music of Donnacha Dennehy,” Oxford Handbook of Spectral and Post-Spectral Music, ed. Bryan Christian and Amy Bauer (Oxford: Oxford University Press, forthcoming).

“Philosophy,” in Johannes Brahms in Context, ed. Katy Hamilton and Natasha Loges, Music in Context Series (Cambridge: Cambridge University Press, forthcoming).

“Ueber Religionsverschiedenheiten’: Religious Difference in the Music Criticism of Eduard Hanslick,” Hanslick im Kontext, ed. Alexander Wilfing and Christoph Landerer (Vienna: Böhlau, forthcoming).

“The Sense of an Ending: Adorno, Brahms, and Music’s Return to the Land of Childhood,” Irish Musical Analysis (Irish Musical Studies, Vol. 11), ed. Gareth Cox and Julian Horton (Dublin: Four Courts Press, 2014), 104–24.

“German Liberalism, Nationalism, and Humanism in Hanslick’s Writings on Brahms,” in Nicole Grimes, Siobhán Donovan, and Wolfgang Marx, eds, Rethinking Hanslick: Music, Formalism, and Expression (Rochester: University of Rochester Press, 2013), 160–84.

“Chronology” and “Introduction,” in Nicole Grimes, Siobhán Donovan, and Wolfgang Marx, eds, Rethinking Hanslick: Music, Formalism, and Expression (Rochester: University of Rochester Press, 2013), xii–xiv, and 1–11 respectively.

 “‘Wordless Judaism, Like the Songs of Mendelssohn’? Hanslick, Mendelssohn and Cultural Politics in Late Nineteenth-Century Vienna,” in Nicole Grimes and Angela R. Mace, eds, Mendelssohn Perspectives (Aldershot: Ashgate, 2012), 49–62.

 “Introduction” (with Angela R. Mace), in Nicole Grimes and Angela R. Mace, eds, Mendelssohn Perspectives (Aldershot: Ashgate, 2012), 1–6.