“Brahms’s Ascending Circle: Hölderlin, Schicksalslied, and the Process of Recollection,” Nineteenth-Century Music Review 11/1 (July 2014): 1–36. Available here: NCMR 2014

“Eduard Hanslick,” Oxford Bibliographies Online (Oxford: Oxford University Press, 2015).

“The Schoenberg/Brahms Critical Tradition Reconsidered,” Music Analysis 31/ii–iii (Autumn 2012): 127–75. Available here: Music Analysis 2012

“Brahms’s Poetic Allusions through Hanslick’s Critical Lens,” American Brahms Society Newsletter 29/2 (Autumn 2011): 5–9. Available here: ABSN 2011

“A Critical Inferno? Hoplit, Hanslick, and Liszt’s Dante Symphony,” Journal of the Society for Musicology in Ireland 7 (2011–12): 3–22. Available here: JSMI 2011

“‘Come Rise to Higher Spheres!” Tradition Transcended in Brahms’s Violin Sonata in G Major, Op. 78,” in Ad Parnassum: A Journal of Eighteenth-and Nineteenth-Century Instrumental Music 6/11 (April 2009): 129–152 [with Dillon R. Parmer]. Available here: Ad Parnassum 2009

“In Search of Absolute Inwardness and Spiritual Subjectivity? The Historical and Ideological Context of Schumann’s ‘Neue Bahnen’,” International Review of the Aesthetics and Sociology of Music 39/2 (December 2008): 139–163. Available here: IRASM 2008